Furlong Gallery

World-class exhibitions on display year-round at UW-Stout.
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ON VIEW

 

November 9 - December 12 

RECEPTION:  Furlong Gallery - Wednesday November 11th, 4:30-6:30PM
PUNK SHOW: Memorial Student Center, Fireside Cafe - Wednesday TODAY November 11th, 7-9PM

 

South Gallery 
Low Fidelity Design: Making Techniques from the Minnesota Underground Music Scene 
Curated by Calee Cecconi 

Low-Fidelity Design delves into the regional underground music scene to uncover how artists craft visual identities. Showcasing affordable methods like Risograph, screen printing, and DIY art from the Minnesota Underground Music archive, the exhibition explores the connection between sound and visual expression.

Bringing this body of work to UW–Stout bridges community archive research with a polytechnic design context, highlighting accessible, resource-driven visual making and low-fidelity production methods for student designers.



North Gallery
notaflof: wisco + mpls punk in the '20s
Curated by Evan Minsker 
Featuring work by instructors Jonny Wheeler, Ben Moore

notaflof: wisco + mpls punk in the '20s is an exhibition surveying creation in punk communities from Minneapolis to Eau Claire to Madison and beyond. It’s easy to relegate punk to a heyday that’s years removed and miles away, but its inherent accessibility means there’s usually a regional punk scene bubbling up just under your nose. Curated by Evan Minsker, this exhibition looks at art in service of show flyers, album artwork, stage props, activism, zines, and more. 

 
Featuring work by Jim Blaha (the Blind Shake), Caitlin Angelica (Makin’ Out), Brickelle Bathke (gash), Sarah Sequoia (U.T.A.I.), the Minneapolis Uranium Club, Sandy Uhrich (Royal Brat), Greer (BUIO OMEGA), Elgin Venable (Pleasure Cube), and more. 
 
Evan Minsker is the founder of the punk publication see/saw (see-saw.fun) and host of the weekly broadcasts Punk This Week and see/saw radio. He curates benefit punk compilations, edits and publishes an annual “best punk records” newsprint broadsheet, and books regional punk shows. His writing has appeared in Pitchfork, The New York Times, Rolling Stone, CREEM, and NPR Music.
 

 


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